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Bianca Turner – Flowers of the Seaside

The ART 9TEEN club event is meant as an occasion for art-lovers to meet in Vienna-Döbling to share experiences, to network and to learn about new artists. Invited are collectors, curators, art-historians, advisors, artistic-directors and everyone who is interested on fine arts.

Of course, recently we are still in the lockdown, caused by the Corona-Virus and therefore we can’t meet personally yet, but virtually. Therefore the team of ART 9TEEN invites the audience to a virtual clubmeeting on facebook and the galleries own youtube channel.

First guest in a row of monthly events is Bianca Turner. The artist is living and working in Beverly Hills, Los Angeles, USA. And with that she is as well a representative of an artistic interesting phenomen of Romanian artists living abroad. More then 20 % of the Romanian population is living outside the country. Many artists learned abroad a lot of the culture of their host countries and got influenced by it.  As Oradea born Mircea Cantor living in Paris is combining the traditional Romanian patterns, even the Romanian blouse, with contemporary French elements as minimalism or conceptual work.

As well Bianca Turner, born in Timisoara, picked up influences of her new home in California. Especially the vegetation, the color of flowers and the sunshine are inspiring her. Bianca Turner is painting abstract and expresses a positive vibe, the easiness of the American Westcoast combined with her essential thematic, nature. 

In the virtual interview, Bianca Turner responds to questions of art-collector and curator Thomas Emmerling. She is talking about her life, her work, and she gives some insights about the art-world from her point of view. Bianca Turner is quite busy and well established as artist. She exposes at Art Basel Miami and the Biennale of the Film Festival in Cannes in France and in many places as London, Los Angeles, New York and more.

She is not afraid of color and running against the mainstream of dark and grey tones. Her life should be colorful as the West-Coast, she states. Her collectors share with her that certain vibe. She describes not the usual stereotype approach with eternal summer breath and the legendary road to Malibu, but an esthetic in grouping forms and colors, creating dynamic and peace, which can only happen in the Californian Sunshine. As French masters as Henri Matisse, Marc Chagall and Pablo Picasso needed for their works  the sunshine and the flowers of the Mediterranean seaside at the Cote d’Azur in South of France.

Bianca Turner’s works are bought, “because to look at them makes me feel happy” describes one of the London based collectors in a video-message to ART9TEEN. And this is quite often, that art-lovers and connoisseurs are buying art, because they want to look at it and feel good. There is a deep connection between the artists and the collector, described by the piece of art by itself. In the same way you look at a good book, enjoy a good glass of wine, look at some old photos or blossoming flowers. And at the end of the line, this is what Bianca Turner wants to do, painting flowers of the seaside and share happiness.

Works of Bianca Turner can be viewed and ordered under

www.art9teen.eu 

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The Forgotten Tradition – Collecting Art in Romania

“Doesn’t have this country other problems, then collecting art?” Quite often I hear that question, when I introduce myself as an art-collector living in Romania. Yes, the country has a lot of problems, because the society is transforming from a strict conserving society into a dynamic post-modern one. And in this process of transformation, which is visible all over the world, not only in Romania, the individual is getting more and more important. This development is visible In fashion, in travelling, in food, in life-style as well in daily life and behavior of people. With this development, parallel old traditions – or may I say retro fashions? – are coming back, as collecting art.

There are an increasing number of Art-Collectors in Romania. Nobody took the effort yet to analyze exactly the market-figures, because for too long, collecting art had been considered in Romania as exotic hobby of a certain elite, who wanted to show off with their collection their power and poverty.  What surprises me and makes me happy in the same way, that most Romanian Art-Collectors that I know are younger than me. This is reflected as well in their collections, its style, the artists and artworks which are represented in. The new Romanian collections are more open minded, more international, more colorful. This development is a mirror of the contemporary society in Romania. Most visitors, visiting the country are surprised about its open mind, internationality and colorful life, especially the art-scene in cities as Bucharest, Cluj-Napoca and Timisoara. The liberal artsy spirit in this cities is determined of course by the international art-universities, but as well in taking art serious again.

Since Adrian Ghenie broke through in 2006 and increased its auction results at Sotheby’s 16 fold, art is considered as well as an investment. From Ghenie, who is the most important representative of the “School of Clu” and the art-center in the old brush factory (“Fabrica de Pensule”), many Romanian businessmen learned how to make money with collecting art.

Nevertheless, Timisoara, European Cultural Capital 2021, and Cluj-Napoca had been for Centuries part of the Austrian and later Austro-Hungarian Empire, which brought as well the appreciation for Fine Arts into bourgoise families.

Nowadays, Romanians are travelling a lot, living abroad for some time and coming back, knowing how life could be. And they observe that people in Western Countries decorate their homes and office with original art. This is how usually, art-collections are starting. People find out that the esthetic of contemporary art around, gives another mood, another mind and makes us feel better, they continue searching for that moments of pleasure. “When I look at Contemporary Art, a painting, a sculpture, a video-installation and I remain looking at it, I feel better” the new, individualistic collectors are reporting.  And they learned to look for artists from other countries and continents.

Romanian collectors of international contemporary art are travelling to important fairs, discovering new artists, are curious about new works of their favourite artist, build connections to galleries and curators and ask for professional advice from art-experts. The recent collector-generation are by profession lawyers, business-people from the IT-Sector, from the Investment sector, real-estate developers and industrialists. But we should not forget the huge amount of expats, coming from other countries and staying in Romania for business, often employed by multi-national companies with respectable income.

ART 9TEEN – Viennas Private Art Club & Events are showing, now virtually on their website www.art9teen.eu works by different Romanian collectors. Due to the current crisis, the exhibition is now just virtually, but might follow real soon.  “We want to show that Romania has serious collectors of international Contemporary Art”, the organizers explain. Nevertheless, Vienna’s art-world is curious, what is going on there in the almost forgotten area of South-Eastern-Europe. Why cities as Timisoara, Cluj-Napoca and Bucharest are the cultural hotspots between Vienna and Istanbul now? And why galleries like Mihai Nicodim are in Bucharest and in Los Angeles, Plan B in Cluj and Berlin, Kunsthaus 7B near Sibiu and in Vienna? Inspired from the questions of the art-world outside Romanias, the team of ART9TEEN in Vienna Döbling is preparing its virtual club-events for collectors and the next exhibition with works from the portfolio of more Romanian collectors.

“Global Contemporary – Art from Romanian Private Collections”

“Peony”, by Birgit Reiner, born in Sibiu, living in Bonn60 x 30 cm, oil on canvas, march 2020

The original article bv Thomas Emmerling was published on April 5th, 2020 on https://thomasemmerling.blogspot.com

Thanks Corona – Time to look at art again

Projects – Meetings – Deadlines – New Contacts – airports – hotels – diners, the life of an art-collector can be quite busy.  Especially when you are ambitious to support your artists. It is very interesting to develop careers of new and young talents. Of course it improves the value of the own collection, when the ones you discovered are growing as well. But this is speculation. Mainly I am driven by the idea to make the world with art more beautiful and by the challenge to reach a goal, to see the artist I discovered in a museum in a solo-show or in an important group-exhibition and to see the artist reaching another level.

Sometimes people ask me, if this is the same fever like hunting? Collecting and hunting are belonging together in an archaic understanding of life. I am not a gambler, but maybe a hard worker, who likes to achieve the impossible.

And then comes Corona-Virus and stops everything. It reminds me, about 15 years ago, I had a health problem and had to stay in hospital. I thought for one night for observation, but it had been for two weeks because of a complicated surgery. The State of Emergency now in times of Corona stopped everyone very abrupt. No more meetings, no more travelling, just, staying at home, almost like Christmas. I am not the one sitting now on the couch and checking all my social media accounts. I prefer to sit down at my desk and write for my blog or – coming back to an old passion finally, watching the artworks in my collection.

Some people might prefer watching one film after the other, to avoid silence, some people might listen to music or look in a photo-book about gardens.  I prefer to go to my living room and take a work from the wall or bring it from my storage room, where I have them all in shelves. I free them from their destiny to be decoration or just something to store.  I take a glass of tea. Just this atmosphere is amazing peaceful, to slow down, enjoy the tea and look at the work, where someone put his or her hand into it. Just this moment is amazing, when I smell the tea, holding a work in my hand, sometimes it is difficult because of the size, put it in sight and then starts the encounter with the creation of a master.

Initially I started collecting art, especially contemporary art, because I love to look at the work, with all I know about its author.  I love to read about the artist, to understand more about the personality, his struggles, his joys, what lead the artist to this movement of the brush, to this stroke of the tools?

And then I wait, I am listening to the artwork, I wait until it begins to tell its story. Every artwork has a story to tell. And now I mean a deeper story then exhibition places, auction results and so on. Every artwork has its own story to tell. It is the story about the relation between the artist and the work and the work and us who look at it and listen to it. Sometimes the story is reflected in the title. I don’t like works named “Untitled”, because it doesn’t allow the work to protest against its title. The artist just wants to escape from the discussions with the work.  Yes it can happen that the artist doesn’t understand the work, like parents don’t understand their own children. Yes it is happening that artworks are bigger than their creator.  With the work, the creator is growing over himself, like the creator is growing with every work. I love to listen to artworks when they tell about their discussions with the artist.  I love this silent dialog with the piece. The dialog with minimalistic art gives me the freedom to ask questions.  Every time I talk with the work, new aspects appearing, new questions arising, new stories have to be told.

Listening and watching are creating an own symbiosis, which describes the state of being open, that the artworks possesses you.  It is a silent and seductive way, how the beloved artwork possesses the collector, and makes the collector to surrender.

I love to visit museums, the friendly and honorable atmosphere, where you greet important works of great masters, but they are hiding in the loudness of the daily business, they reject the intimate dialog, which only a personal collection allows.

In situation like this, of course I escape from my daily life, and quite often I decide to cut off more time for celebrating this private dialog, where every time I learn something new. This makes the art-world so exciting, it is never boring, every-time you learn something new, when you are ready to listen and watch.

Painting: *Guinevere* by Birgit Reiner, Bonn, Germany, 2010, ca. 40 x 60 cm, oil on canvas

The original article bv Thomas Emmerling was published on March 14th, 2020 on https://thomasemmerling.blogspot.com/2020/03/thanks-corona-time-to-look-at-my-art.html

COVID-19 and the art-market

“The words turn old in the mouth already”, German Former Chancellor Helmut Kohl (1930 – 2017) said in times of falling Berlin wall. A similar situation we experience now, during the COVID-19 pandemic. The situation of yesterday can be totally different tomorrow afternoon. And yet the virus did not reach the US in its full power.

By far it is too early to assume about the impact of COVID-19 on the art-market. For sure, due to COVID-19 the art-world will change and become new structures. Once more the global diseases shows, threats like this can only be challenged together. It is a wishful thinking of a few, that one country by itself can stop the whole development. The once who had this idea 2 weeks before, woke up and are faced now with the cruel reality of the virus. Social contacts and communication are necessary and getting more necessary. But it might change from the real to the virtual, more clean and safe world of the internet, at least until global virus-attacks are appearing here. Until then, all business sectors that can use tech-solutions will benefit from the recent crisis and their effects. ART Basel Hong-Kong as a virtual art-fair with limited entrance proofs, that it is working and collectors accept their phone as a tool to buy art. This signal from Asia is important for the art-world.  Explicit, a signal from Asia is encouraging, not more from Paris, London or New York.  This weekend Art-Basel Hong-Kong, that the galleries in their online-spaces have stable turnovers. Even sales up to 1 Mio. US Dollar and higher are done virtually. It seems that millennial-collectors waited for the chance to buy art from their couch, which they had before, but in times of global lock-down there is no other chance.

Therefore art business online-auctions and platforms as artsy will increase their activities and will win huge market-shares. As well it is easier and cheaper for artists to present their works with galleries. At least the huge market segments of many transactions with a single value below 50.000 Euro will benefit. Online-Openings and virtual guided tours will replace the tradition of the vernissage, opening-ceremonies and life-artist talks, where the success is measured in number of participants and of course on spot sales. But an artist can’t live and pay bills from likes on instagram.  Maybe likes and shares on social media will replace the role of exhibitions abroad in the CV of artists. Now when more and more museums and galleries and even Art Basel 2020 are offering their virtual tours, the increasing importance of the internet in art-trade will remain and be stronger. We are aware that the visual impression of a photo on our smartphones or at our computers will not be the same like seeing the original artwork. And no online-photo can replace the atmosphere of seeing an artwork, which had been made by the hands of a famous artist, had been created by the artist.

As well important is to check what is happening on the other side of the market, on the side of collectors and art-buyers. In times where banks and investment companies can invent unlimited money, it should be possible to heal the economic damages caused by COVID-19. It is possible to support tourism and transport sector, small and medium sized companies. And it would be possible to support artists, as Germany does it with guarantees as well as accepting postponements of tax-payments. But this is not resolving the problem of lack of liquidity and cash-flow in the middle and lower ranges of art-world.  Nowadays it would be necessary that museums document what is going on these weeks or months, in buying art now. With an additional budget, museums could buy their own “Corona-Collection”. As well it would support artists over the financial crisis.

But we have to take in consideration, that more governments will take advantage from the recent situation and cut cultural budgets, because the money is needed elsewhere. Yes, I am talking about the time after COVID-19, when the medical systems are repaired. We have to demand all governments worldwide on all levels, from local to international, to support much stronger the cultural sector as theatre, concert-halls and visual art.

Facing the developments of the last decades, the private art-collections will increase in its meaning for the sector. And here is a big chance for galleries to change their business-model. The gallery-owner of the future will be less artist and mate of the creatives, administrating their objective lives, he and she will be more art-advisors and consultant at the side of the collector. He will help the collector to place the right investment, to figure out the artists he should know, to select to filter and to propose. Private collectors with money will avoid crowds of people more than ever, therefore the individual close contact between gallery and client, which makes buying art as an experience, will be the successful model. In times of global threats, trust and confidence are very important in business, especially in art-investment. But to build up confidence, nearness and discussions are mandatory. Surely we can assume, that due to the financial crisis following after the Corona-Virus, private collectors might slow down with their art-investment, related to prices as well as in terms of amounts or rating of artworks and artists. But art-trade will continue and grow.

Never before in history of mankind globally, art is blooming as much as today. And never had been so many artworks traded like nowadays. Now in selling art, we should proof flexibility and virtual and real nearness to the clients, the collectors.

Painting: “The Spell” by Radu Rodideal, Bucharest 2018, 120 x 80 cm, oil on canvas

The original article bv Thomas Emmerling was published on March 22nd, 2020 on https://thomasemmerling.blogspot.com